Michelle Parkerson
. . .
For African American, lesbian, writer, performance artist and independent filmmaker Michelle Parkerson, there
is work to be done to document the lives of those who exist outside the margins. With camera close at hand, Parkerson has
used her feminist cinematic vision to uncover and expose the history of African American women's lives.
Michelle Parkerson is a writer and independent filmmaker from Washington, DC. She has served on the faculties
of the University of Delaware, Howard University, Northwestern University, and Temple University. Her public television specials
include But Then, She's Betty Carter, Gotta Make This Journey: Sweet Honey In The Rock, Stormé: The Lady
of the Jewel Box, and Urban Odyssey.
In 1992, she received a Rockefeller Foundation Film/Video Fellowship. As a member of the American Film Institute's
Directing Workshop for Women (8th Cycle), she wrote and directed Odds and Ends, a black amazon sci-fi video. Ms. Parkerson
also directed A Litany For Survival: The Life and Work of Audre Lorde in collaboration with producer/co-director Ada
Gay Griffin.
Her acclaimed film "A Litany for Survival: the Life and Work of Audre Lorde," celebrates the life of
one of this century's most gifted, courageous and accurate writers: self-described black, lesbian, feminist, warrior, poet,
mother, Audre Lorde. Born in 1934, Lorde battled breast cancer for many years before her death in 1992. Her writings
were the voice and the inspiration for a generation of activists fighting for lesbian and gay rights, civil liberties, and
equal rights for women. While fiercely committed to the work of liberation, Lorde's writings were also at times playful, spiritual,
and erotic. At one point in the film, Lorde tells her viewers: "What I leave behind has a life of its own-I've said this about
poetry, I've said it about children I'm saying it about the very artifact of who I have been."
 Ada
Gay Griffin
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Over a period of eight years, Parkerson and Griffin worked together with Lorde to produce A Litany for
Survival. The film combines early photographs of Lorde, film clips of the poet's public readings of her prose and poetry,
conversations with her children, her partner Gloria Joseph, and tributes to Lorde's work by Adrienne Rich, Sonia Sanchez,
Jewelle Gomez, Essex Hemphill and Cheryl Clarke. The documentary premiered at the 1995 Sundance Film Festival, aired
on the PBS series, P.O.V. and has received audience awards at festivals in Los Angeles, Paris, and San Francisco.
In addition to being a filmmaker, Michelle Parkerson is also a performance artist. Divas, her critically acclaimed
cabaret show with vocalist/comedienne Brenda Files, played to standing-room crowds at Washington, DC's Dance Place. As part
of the DC Writers Residency, she collaborated with MacArthur Fellow Guillermo Gómez-Peña and Roberto Sifuentes in The Dangerous
Bordergame. Currently, she is touring with choreographer Kimberli Boyd and multidisciplinary artist Kwelismith in Women of
Substance, a Black women's performance collaboration.
Michelle Parkerson's poetry and short fiction are anthologized in In Search
of Color Everywhere (edited by E. Ethelbert Miller), Afrekete: An Anthology of Black Lesbian Writing (edited by
Catherine McKinley and L. Joyce Delaney), The Poetry of Sex (edited by Tee Corinne) and The Arc of Love (edited
by Clare Coss).
Michelle Parkerson lives in Washington, D.C. and has produced documentaries on jazz singer Betty Carter,
Sweet Honey in the Rock, as well as Odds and Ends (a black amazon science fiction short film), and Storme': the
Lady of the Jewel Box (a documentary about Storme' Delarverie, former M.C. and male impersonator with the legendary Jewel
Box Revue.) In her book on women filmmakers of the African and Asian diaspora, Gwendolyn Audrey Foster wrote of Parkerson's
work: "Michelle Parkerson's documentaries embody black female subjectivity at its most basic. Here, black women speak for
themselves."
Michelle Parkerson currently heads up her own DC-based production company, Eye of the Storm Productions.
Source: Out In The Mountains: http://www.mountainpridemedia.org/mar98/parker.htm Women Make Movies: http://www.wmm.com/catalog/_makers/fm289.htm
Films
Michelle Parkerson Performing Some of Her Work At the Poetry Slam Hughes @ 100

...But Then, She's Betty Carter
This lively film is an unforgettable portrait of legendary vocalist
Betty Carter, one of the greatest living exponents of jazz. Uncompromised by commercialism throughout her long career, she
has forged alternative criteria for success — including founding her own recording company and raising her two sons
as a single parent. Parkerson's special film captures Carter's musical genius, her paradoxical relationship with the public
and her fierce dedication to personal and artistic independence.

Gotta Make This Journey Sweet Honey in The Rock
This vibrant and engaging video profiles the a capella activist group,
Sweet Honey in the Rock. Singing to end the oppression of Black people world wide, Sweet Honey embraces musical styles from
spirituals and blues to calypso, and concerns ranging from feminism to ecology, peace and justice. This dynamic video features
individual portraits, powerful concert footage and commentary by Angela Davis, Alice Walker and Holly Near.

Storme -- The Lady of the Jewel Box
“It ain’t easy…being green” is the
favorite expression of Storme DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950’s
and 60’s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary
Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles. Parkerson
finds Storme in New York’s Chelsea neighborhood, now working as a bodyguard at a women’s bar and still singing
in her deep silky voice with an “all girl” band. Through archival clips from the past, Storme looks back on the
grandeur of the Jewel Box Revue and its celebration of pure entertainment in the face of homophobia and segregation. Storme
herself emerges as a remarkable woman, who came up during hard times but always “kept a touch of class.”
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